Tribal Gaze - Godless Voyage
A voyage through forgotten gateways.
(Originally submitted to the Metal Archives on December 11th 2021)
Death metal has been going through a
renaissance of sorts over the past 15 years, with many modern bands
drawing inspiration from legends of old and paying tribute in their own
way. Whether it’s the murky sounds of Incantation, or Entombed’s buzzsaw
chaos, odds are you’ll find a group that cites either of them as an
influence. One band that doesn’t see much in the way of emulation though
is Morbid Angel. The Florida legends haven’t been very popular in the
21st century, and their output reflects that. So you can imagine my
surprise whenever I stumble upon a band like Tribal Gaze. The Texas
quintet decided to draw from such an unlikely source for their debut EP,
Godless Voyage, and they channel that energy to great effect.
More often than not, when you find a band that emulates the Morbid Angel
sound (Totten Korps, Pneuma Hagion), they tend to draw from Gateways to Annihilation,
and these guys are no different. The songs maintain a steady
mid-to-upper tempo pace that feels positively crushing throughout. The
riffs stomp their way through the listener’s ears and maintain a
headbangable energy throughout. But worry not, there’s no shortage of
blazing fast riffs either. What truly makes them work though is how well
the band alternates between them. For being relative newcomers to the
scene, they have excellent songwriting capabilities and it shows. Riffs
flow into one another seamlessly, and they always pay off, there’s not a
single moment wasted here. Tracks like “Towers of Illness”, “Astral
Nameless” and the title track are full of neck-snapping riffs and
transitions that are sure to get anyone’s blood pumping.
I would be remiss not to bring up the band members’ performances here,
because they’re outstanding, despite how close they are to those of
their idols. Guitarist Ian Kilmer channels his inner Trey Azagthoth,
conjuring riffs that feel like lava pouring out of a volcano, while
bassist Zachary Denton supplements that sound with his surprisingly
prominent bass presence. The real standout here though is drummer
Quintin Stauts. Unlike Pete Sandoval, he doesn’t rely so much on
blasting, instead opting for excellent cymbal work and drum fills. While
he does blast when the moment calls for it, he keeps things tasteful,
and is arguably the best part about the EP.
The production here is also top notch and worth discussing. The guitars
have this sludgy and thick tone to them that is simply worthy of a
chef’s kiss, the bass sounds appropriately filthy, and the drums are
just pulverising everything in their path. Again, it sounds a lot like Gateways…,
albeit more modern, without that meaning that it sounds worse. The
mixing in particular is excellent, with all the instruments being
perfectly audible at all times, resulting in a monolithic slab of
heaviness.
While I do enjoy this EP a lot, the parallels to Morbid Angel I’ve drawn
over the course of this review are both a blessing and a curse. On one
hand I very much enjoy seeing more bands try to emulate their sound, on
the other I also want to see them inject a bit of their own identity to
the mix. While Tribal Gaze hasn’t quite gotten there yet, they’ve set
down some solid foundation through the drumming and bass playing. What’s
left now is for everyone to let their creative juices flow and get the
most out of this formula, because lord knows it’s got a lot of
potential.
Godless Voyage is an unexpected standout in a sea of caverndeath
and Entombedcore, and serves as a great reminder that other styles of
death metal exist. All that's left now is for more bands to follow in
Tribal Gaze's footsteps and explore this sound. As for the band itself,
they're showing a lot of promise, and I'm curious to see how they'll act
upon it in the future.
Highlights: Towers of Illness, Astral Nameless, Godless Voyage

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