Mork - Dypet
Sinking into unknown depths.
(Originally submitted to the Metal Archives on January 25th 2024.)
There are times where you find an artist
whom you want to see get better. Despite them starting off rather
disappointingly, there is palpable potential within them, and you just
can’t help but root for them and hope they end up realising it. That
artist for me is Mork. Thomas Eriksen’s one man black metal project
didn’t exactly convince me with its first couple of releases, but the
signs of improvement were there, culminating in the engrossing Katedralen,
which saw him shed the more plodding and unengaging aspects of his
early work and actually write some riffs worth giving a damn about. It’s
been a minute since then, and now we have his sixth full-length in our
hands, Dypet, an album that I was very much looking forward to.
Truthfully though, even so long after it has come out, I can’t quite
tell how I feel about it.
Dypet, like its predecessors, is unabashedly worshipping at the
second wave of black metal. There’s frigid tremolo picked passages,
blast beats, and raspy screams aplenty to be found, and that’s alright.
Lord knows I’ve a soft spot for that sound and Mork is one of the few
modern bands that I find do it justice. That being said, it’s not a full
cover of Transilvanian Hunger, and Thomas manages to sprinkle in
details that help make it more than the sum of its parts. It’s evident
that he has expanded his arsenal in terms of songwriting, and having a
firmer grasp on dynamics, as evidenced on the rising tension found
throughout the introductory track, “Indre Demoner”. The song is quite
the slow burn, starting off with a long-winded acoustic segment, after
which it flows through many different passages, all increasing in tempo
and intensity, culminating in a double bass-driven segment adorned by
some trilling basslines at the end. It’s a tune that shows great
improvement, and its placement at the beginning is very much a sign of
what’s to come.
There’s generally a handful of new additions that help some of the tunes
here stand out, breaking up what would otherwise be a very
straightforward, if not slightly stale, project. The aforementioned
basslines are a particular standout, as evidenced on “Et kall fra dypet”
and “Tilbake til opprinnelsen”, where they add some spunk and detail to
the pre-existing melodies. Even the vocals manage to have some variety
to them this time around by the addition of some cleaner vocals on songs
like “Svik”, as well as Hjelvik’s guest appearance on “Høye murer”,
providing a more feral foil to Thomas’ rasp. It’s small additions like
these that allow Dypet to stand as an independent work, rather than a companion to Katedralen.
Nevertheless, the aforementioned second wave worship could prove to be a
dealbreaker for some, and it’s more pronounced than it has ever been in
Mork’s discography. Me mentioning Transilvanian Hunger by name
wasn’t an accident, seeing as the album not only takes its forlorn and
sorrowful tone from it, but also seems to draw more inspiration than
usual from it, as seen on the desperate introduction of “Tillbake til
opprinnelsen”. Admittedly, pointing out that the music here sounds like
what is arguably THE black metal blueprint and complaining about it is
the equivalent of going for a swim and being upset that I’m wet, but
it’s something that is worth acknowledging for those unacquainted with
Mork’s body of work. There are a few attempts at breaking out of the
mold, such as the latent thrashiness of “Avskum”, and the rocking
drumming of “Forført av kulden”, but the former is a one-off and the
latter is a reminder of the band’s weaker aspects.
On the whole, Dypet tries to go places, with its adherence to
tradition being both a boon and a bane. There are moments where the
music wants to be more than traditional black metal, but they are few
and far in between. For all the improvements in songwriting that Mork
has showcased, there are also ideas that require looking forward into
the future in order to be fully realised, rather than the past, and
perhaps it’s high time that started to be the case.
Highlights: Indre Demoner, Et kall fra dypet, Avskum

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